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		<title>Guardian &#124; the woollen line</title>
		<link>https://helenbabbs.wordpress.com/2013/04/24/guardian-the-woollen-line/</link>
		<comments>https://helenbabbs.wordpress.com/2013/04/24/guardian-the-woollen-line/#comments</comments>
		<pubDate>Wed, 24 Apr 2013 14:27:01 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[activism]]></category>
		<category><![CDATA[arts & crafts]]></category>
		<category><![CDATA[Climate change]]></category>
		<category><![CDATA[interview]]></category>
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		<category><![CDATA[peat]]></category>
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		<category><![CDATA[The Black Mountains]]></category>
		<category><![CDATA[The Woollen Line]]></category>
		<category><![CDATA[Wales]]></category>
		<category><![CDATA[wool]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3368</guid>
		<description><![CDATA[This article was written for the Guardian It has Prince Charles as its patron and a recent show at Somerset House celebrated its sense of style, but could wool have a future as a conservation textile too? Over the last three years, a band of artists and volunteers have been installing healing plasters of wool [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3368&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; Children of the Sun</title>
		<link>https://helenbabbs.wordpress.com/2013/04/22/review-children-of-the-sun/</link>
		<comments>https://helenbabbs.wordpress.com/2013/04/22/review-children-of-the-sun/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 21:14:44 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[London]]></category>
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		<category><![CDATA[review]]></category>
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		<category><![CDATA[Andrew Upton]]></category>
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		<category><![CDATA[Children of the Sun]]></category>
		<category><![CDATA[Howard Davies]]></category>
		<category><![CDATA[Lyttelton Theatre]]></category>
		<category><![CDATA[Maxim Gorky]]></category>
		<category><![CDATA[National Theatre]]></category>
		<category><![CDATA[political theatre]]></category>
		<category><![CDATA[Russian drama]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3364</guid>
		<description><![CDATA[An experiment for the Londonist to investigate the theatrical properties of Children of the Sun Purpose To find out whether the latest collaboration between director Howard Davies, writer Andrew Upton and designer Bunny Christie at the National Theatre is worth seeing. Hypothesis After working together on Russian classics The Cherry Orchard, Philistines and The White [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3364&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; Die Zauberflöte</title>
		<link>https://helenbabbs.wordpress.com/2013/04/17/review-die-zauberflote/</link>
		<comments>https://helenbabbs.wordpress.com/2013/04/17/review-die-zauberflote/#comments</comments>
		<pubDate>Wed, 17 Apr 2013 13:37:20 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[London]]></category>
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		<category><![CDATA[music]]></category>
		<category><![CDATA[puppetry]]></category>
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		<category><![CDATA[Die Zauberflöte]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Royal Opera House]]></category>
		<category><![CDATA[Sir Colin Davis]]></category>
		<category><![CDATA[The Magic Flute]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3354</guid>
		<description><![CDATA[This review was written for the Londonist Featuring one of opera’s most famous arias, Mozart’s last singspiel offers a heady blend of magic, morality and masonry. David McVicar’s production returns to the Royal Opera House this spring for a run dedicated to the memory of the late Sir Colin Davis. It’s comic, grand and glittering, [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3354&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; Watt</title>
		<link>https://helenbabbs.wordpress.com/2013/03/13/review-watt/</link>
		<comments>https://helenbabbs.wordpress.com/2013/03/13/review-watt/#comments</comments>
		<pubDate>Wed, 13 Mar 2013 15:41:57 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[Londonist]]></category>
		<category><![CDATA[performance]]></category>
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		<category><![CDATA[Barbican]]></category>
		<category><![CDATA[Barry McGovern]]></category>
		<category><![CDATA[Dancing Around Duchamp]]></category>
		<category><![CDATA[Gate Theatre Dublin]]></category>
		<category><![CDATA[Samuel Beckett]]></category>
		<category><![CDATA[Watt]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3339</guid>
		<description><![CDATA[This review was written for the Londonist Perhaps it’s the shows I’ve been choosing to watch but, more often than not, trips to the theatre have recently seemed to involve being dragged into the action somehow. Immersive experiences are often deservedly popular but their current ubiquity means it feels fairly rare to see a play [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3339&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Guardian &#124; high rise gardening</title>
		<link>https://helenbabbs.wordpress.com/2013/03/01/guardian-high-rise-gardening/</link>
		<comments>https://helenbabbs.wordpress.com/2013/03/01/guardian-high-rise-gardening/#comments</comments>
		<pubDate>Fri, 01 Mar 2013 23:08:49 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[gardens]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[sustainability]]></category>
		<category><![CDATA[Urban gardening]]></category>
		<category><![CDATA[urban nature]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Bosco Verticale]]></category>
		<category><![CDATA[gardening]]></category>
		<category><![CDATA[Guardian]]></category>
		<category><![CDATA[living architecture]]></category>
		<category><![CDATA[Milan]]></category>
		<category><![CDATA[Park Royal on Pickering]]></category>
		<category><![CDATA[Singapore]]></category>
		<category><![CDATA[skyscraper]]></category>
		<category><![CDATA[Stefano Boeri]]></category>
		<category><![CDATA[sustainable design]]></category>
		<category><![CDATA[urban]]></category>
		<category><![CDATA[WOHA]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3314</guid>
		<description><![CDATA[This article was written for the Guardian Forget London’s monolithic new Shard, all eyes will surely be on the Bosco Verticale when it opens in Milan at the end of this year. The new skyscraper promises to bring a hectare of forest into the central business district, as well as hundreds of new homes. Rather [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3314&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; If You Don’t Let Us Dream, We Won’t Let You Sleep</title>
		<link>https://helenbabbs.wordpress.com/2013/02/24/review-if-you-dont-let-us-dream-we-wont-let-you-sleep/</link>
		<comments>https://helenbabbs.wordpress.com/2013/02/24/review-if-you-dont-let-us-dream-we-wont-let-you-sleep/#comments</comments>
		<pubDate>Sun, 24 Feb 2013 19:17:11 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[Londonist]]></category>
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		<category><![CDATA[review]]></category>
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		<category><![CDATA[Anders Lustgarten]]></category>
		<category><![CDATA[austerity]]></category>
		<category><![CDATA[If You Don’t Let Us Dream We Won’t Let You Sleep]]></category>
		<category><![CDATA[new writing]]></category>
		<category><![CDATA[Royal Court]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3304</guid>
		<description><![CDATA[This review was written for the Londonist It was the title of Anders Lustgarten’s brand new play that first drew us in. ‘If You Don’t Let Us Dream, We Won’t Let You Sleep’ is a sparkling threat, full of an angry kind of hope. It premiered at the Royal Court last week, amid speculation it [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3304&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; The Making of Longbird</title>
		<link>https://helenbabbs.wordpress.com/2013/02/15/review-the-making-of-longbird/</link>
		<comments>https://helenbabbs.wordpress.com/2013/02/15/review-the-making-of-longbird/#comments</comments>
		<pubDate>Fri, 15 Feb 2013 14:17:50 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[stop motion animation]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[BAFTA]]></category>
		<category><![CDATA[Edinburgh]]></category>
		<category><![CDATA[Edinburgh College of Art]]></category>
		<category><![CDATA[Manipulate Festival]]></category>
		<category><![CDATA[paper animation]]></category>
		<category><![CDATA[The Making of Longbird]]></category>
		<category><![CDATA[Traverse Theatre]]></category>
		<category><![CDATA[Will Anderson]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3295</guid>
		<description><![CDATA[This review was written for Animations Online Director Will Anderson was due to introduce this screening of ‘Waiting for Longbird’ himself, during a Manipulate Festival ‘Snapshot’ session at Edinburgh’s Traverse Theatre, but found himself heading to the BAFTAs instead, which he duly won the &#8216;best short animation&#8217; award at the next day. The animated short [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3295&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; Schicklgruber… Alias Adolf Hitler</title>
		<link>https://helenbabbs.wordpress.com/2013/02/15/review-schicklgruber-alias-adolf-hitler/</link>
		<comments>https://helenbabbs.wordpress.com/2013/02/15/review-schicklgruber-alias-adolf-hitler/#comments</comments>
		<pubDate>Fri, 15 Feb 2013 14:11:07 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[performance]]></category>
		<category><![CDATA[puppetry]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Edinburgh]]></category>
		<category><![CDATA[Manipulate Festival]]></category>
		<category><![CDATA[muppets]]></category>
		<category><![CDATA[Neville Tranter]]></category>
		<category><![CDATA[Stuffed Puppet]]></category>
		<category><![CDATA[Traverse Theatre]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3289</guid>
		<description><![CDATA[This review was written for Animations Online ‘Schicklgruber… Alias Adolf Hitler’ tells the notorious story of the final moments of Hitler, Eva Braun, Goebbels et al. It’s a one-man show – in this instance played out on a large stage at the Traverse, Edinburgh – with Neville Tranter of Stuffed Puppet operating and voicing every [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3289&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; Consuming Spirits</title>
		<link>https://helenbabbs.wordpress.com/2013/02/09/review-consuming-spirits/</link>
		<comments>https://helenbabbs.wordpress.com/2013/02/09/review-consuming-spirits/#comments</comments>
		<pubDate>Sat, 09 Feb 2013 14:30:05 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[puppetry]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[stop motion animation]]></category>
		<category><![CDATA[Chris Sullivan]]></category>
		<category><![CDATA[Consuming Spirits]]></category>
		<category><![CDATA[Edinburgh]]></category>
		<category><![CDATA[Manipulate Festival]]></category>
		<category><![CDATA[paper animation]]></category>
		<category><![CDATA[toy animation]]></category>
		<category><![CDATA[Traverse Theatre]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3272</guid>
		<description><![CDATA[This review was written for Animations Online Spiralling alcoholism, game hunting, neglect and gardening are the themes that ebb and flow through ‘Consuming Spirits’, a feature-length animation shot frame by frame on 16mm. Director Chris Sullivan’s epic project is advertised as being near 15 years in the making, something that weighs on the viewer’s mind [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3272&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Review &#124; Papercut</title>
		<link>https://helenbabbs.wordpress.com/2013/02/08/review-papercut/</link>
		<comments>https://helenbabbs.wordpress.com/2013/02/08/review-papercut/#comments</comments>
		<pubDate>Fri, 08 Feb 2013 17:18:18 +0000</pubDate>
		<dc:creator>helenbabbs</dc:creator>
				<category><![CDATA[cabaret]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[puppetry]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Edinburgh]]></category>
		<category><![CDATA[Manipulate Festival]]></category>
		<category><![CDATA[paper animation]]></category>
		<category><![CDATA[Traverse Theatre]]></category>
		<category><![CDATA[Yael Rasooly]]></category>

		<guid isPermaLink="false">http://helenbabbs.wordpress.com/?p=3265</guid>
		<description><![CDATA[This review was written for Animations Online What do you get if you cross a black and white Hollywood movie with a busy 1950s office and a paper doll activity book? You get ‘Papercut’ – a two dimensional romantic adventure that unfurls chaotically across a stationery strewn desktop. Already a firm festival favourite, the Israeli [&#8230;]<img alt="" border="0" src="https://stats.wordpress.com/b.gif?host=helenbabbs.wordpress.com&#038;blog=4562761&#038;post=3265&#038;subd=helenbabbs&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Papercut</media:title>
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