The summer 2017 issue of Connect – the magazine I work on as a freelance writer and editor for Greenpeace UK – was published in July.
Our cover feature – ‘Sailing for sea life’ – was about Beluga II’s expedition to some of Scotland’s most beautiful waters to collect first-hand evidence of how plastic pollution is threatening marine wildlife.
We want to show the world how amazing the UK’s sea life and coastal areas are, but also how vulnerable.
The spring issue 2017 of Connect – the magazine I work on as a freelance writer and editor for Greenpeace UK – was published in March.
Right now, up to 12 million tonnes of plastic are entering our oceans every year, and the UN has called the situation a ‘toxic time bomb’. To protect our seas, we’ve got to be bold. Our cover story is about the launch of a major new campaign to stop plastic ending up in our oceans.
The cover shot is by Mandy Barker, who uses ocean trash to create stunning, but spiky, artworks.
The autumn / winter 2016 issue of Connect – the magazine I edit for Greenpeace UK – has just been published. Our cover star this issue is a titi monkey, photographed by Valdemir Cunha in the Amazon.
Our cover story is about the fight to protect the Tapajós River Basin in the Brazilian Amazon. Over 40 dams are planned in this extraordinary place, projects that will have catastrophic consequences for the wildlife and communities that call it their home. A global campaign has already seen one of the biggest dams cancelled. This article is about why we have to ensure the others are scrapped as well, and how Brazil could create huge amounts of clean, renewable power if it focused on increasing wind and solar instead of hydro.
This is one of my favourite spreads this issue. It features the work of street artist Dr. Love, which we’ve used to illustrate an article that argues we have to be bold if we’re going to solve Britain’s toxic air pollution problem. Right now, air pollution is causing around 40,000 early deaths in the UK each year. Positive action will save lives, as well as reducing CO2 emissions.
The summer issue of Connect – the magazine I edit for Greenpeace UK – was published this month. The cover story this issue brings fantastic news from the Norwegian Arctic, where the world’s biggest fishing companies have voluntarily agreed not to exploit a huge part of the Arctic Ocean, from Svalbard all the way up to the North Pole. Our cover star is a beluga whale, or white whale, photographed under the sea ice © WaterFrame / Alamy.
We also have a beautiful photo-led feature about a new campaign to protect the Tapajós River Basin in the Brazilian Amazon. It’s an extraordinarily biodiverse place, home to creatures like ocelots, jaguars and pink dolphins. It acts like a huge pair of lungs that help regulate our planet’s climate. The Munduruku community that call Tapajós home have a deep connection with the river and forest, and depend on them for food and transport, as well as cultural and spiritual sustenance. Shockingly, this region could soon be sacrificed to a mega-dam of monstrous proportions. The fight to save Tapajós is on.
I’m especially pleased with how this double-page spread is looking. It is an eye-opening start to an article about plastic pollution in our oceans, and features the magnificent artwork of Mandy Barker. Her SOUP series features images created using plastic trash found on beaches around the world. Right now, up to 12.7 million tonnes of plastic are entering our oceans each year, some of it so tiny it’s barely visible. Some marine life is mistaking microplastic for food, filling up on it and starving as a result – just one reason why tackling ocean plastic pollution is so important. Image © Mandy Barker.
I love it when I get a copy of a report in the post that I have worked on as a copy writer or editor, when the word doc I worked with has been transformed into something very good looking. The latest Impact Report from Greenpeace UK looks fantastic. Published this spring, it reviews everything the NGO achieved in 2015. The front cover features a colourful crowd of ‘kayaktivists’, brave people who took to the water to challenge oil giant Shell as it attempted to move its fleet up to the Arctic.
The spring issue of Greenpeace UK’s Connect magazine has just been published, with a focus on forest fires in Indonesia and the devastating effect deforestation is having on orangutans. Our great ape cover star was photographed by Markus Mauthe. The pollution from the fire crisis has been disastrous for people too – the region has been cloaked in a choking haze that causes severe breathing problems.
Other features this issue include ‘Tainted tuna’ and ‘Fracking hypocrites’. One of the articles I’m most happy with is about the Arctic Ocean – it begins with this magnificent jellyfish double-page spread, inviting the reader into the fascinating underwater world beneath the sea ice. Magnificent creatures like this Scyphozoan jellyfish – photographed by Alexander Semenov – are threatened by industrial fishing fleets that are moving into the Norwegian Arctic, as climate change causes the ocean’s once-protective shield of ice to melt.
I edit and help project manage the production of Connect, which is sent to Greenpeace UK’s regular financial supporters.
‘London is failing on solar, risking its decentralised energy and climate targets. The new Mayor can change the capital’s poor performance record, and ensure the future is bright for solar in the city.’
Really proud to have worked as a copy editor on this report from Greenpeace UK and Energy for London, published in February, which looks at solar energy in my home city. It outlines how the new Mayor of London can start a solar revolution in 2016.